写作风格英文

A. 求william golding写作风格的英文介绍

Golding's often allegorical fiction makes broad use of allusions to classical literature, mythology, and Christian symbolism. No distinct thread unites his novels, and the subject matter and technique vary. His first novel, Lord of the Flies (1954; film, 1963 and 1990, play, adapted by Nigel Williams, 1995), dealt with an unsuccessful struggle against barbarism and war, thus showing the ambiguity and fragility of civilization. The Inheritors (1955) looked back into prehistory, advancing the thesis that humankind's evolutionary ancestors, "the new people" (generally identified with homo sapiens sapiens), triumphed over a gentler race (generally identified with Neanderthals) as much by violence and deceit as by natural superiority. In Pincher Martin (1956) and Free Fall (1959), Golding explored problems of existence, such as survival and freedom, using dreamlike narratives and flashbacks. The Spire (1964) tells the story of a medieval cleric's obsessive determination to build a great cathedral spire, regardless of the consequences.

B. 英语的写作特色一般有哪些

分析文章好不好,可以从以下几个方面入手.一,语法.这是最简单的部分,通俗的说就是看有没内有语法错误容,比方说是不是没有注意到人称的变化,单复数等等.第二,流畅度,或者说逻辑.就是看看译过来的文章是不是前言不搭后语,我感觉国外的很多名著,像钢铁是怎样炼成的,羊脂球等等翻译的都是颠三倒四,一句话重复好多遍,很不地道!第三,修辞.这个就稍微专业一点了,比方说最简单的：he is an animal !（他是个禽兽!）这是个典型的metapher 的句子,还有种种类似于排比啊,明喻啊,拟人啊,等等吧,就凑字数上来说你也可以多举一些例子的.第四,最后可以写写你对这篇文章的整体感受,比方是写对欧洲古典文化的描述,可以写写你对欧洲古典文化的看法等等,好了,就写到这里吧,希望对你有所帮助!

C. 求海鸣威的写作风格 英文版

Hemingway’s writing style

The writing style of Hemingway is social. He usually describes his own true experience in this novel. Hemingway creates many “Hemingway heroes”. They live in great pressure, they suffer from painful physical wound and terrible mental wound, but they always keep stances of manhood, such as Santiago in “the old man and the sea”. From reading his novel, we are deeply moved by the characters of the novel and their actions and thought can greatly inspire us

Hemingway uses simple, short sentence are often connected by “and”, “then” and sometimes “so”. They are easily understood and can express his feeling correctly. Hemingway uses few adjectives and adverbs in his novels and he never give over-embellish and abstract to the sentence because it is hypocritical that the book announces itself as Hemingway’s: “he was an old man who fished alone in a skiff in the Gulf stream and he had gone eighty-four days now without taking a fish.” “the words are plain, and the structure, two tightly worded independent clauses conjoined by a simple conjunction, is ordinary, traits that characterize Hemingway’s literary style.

Hemingway also uses iceberg approach-all meaning is found below the surface. The common sentences used by Hemingway always have special implication. We must the background of the story and we must understand Hemingway well, if we want to get the true implication of Hemingway’s novels. He was extremely grudging his description, he had the ability to combine simple realism of narrative with complex symbolism of image at once. The implied meaning was left for various explanations and in a sense a far-reaching effect was obtained .for example, in the novel “the old man and the sea”, there are many symbols. If we plainly understand the symbols as physical things, we might lose the essence of the novel and be misled to think that this is a simple story about the old man’s fighting with the sharks. In the novel, heingway chooses an old fisherman as his hero, and he uses the old man to replace his real name Santiago. This makes us see that the old man is not a person solely of himself. hemingway chooses sea as the background, the sea both as the opposing and harmonious force, but not simply a true sea.

On the other hand, the reader may draw some inspiration through applying his own experiences into the understanding of hemingway’s themes and eventually find esthetic satisfactions in his careful reading although the process needs some effort. Besides, hemingway often uses symbolism in his novels.” The old man the sea”, for example, looks like a ll and meaningless novel when the readers don’t read it carefully. But after reading, we may move by the “masculine” of the hero-Santiago, and love the book very much.

D. 关于欧亨利的创作风格，是英文的最好。

O. Henry's stories are famous for their surprise endings, to the point that such an ending is often referred to as an "O. Henry ending." He was called the American answer to Guy de Maupassant. Both authors wrote twist endings, but O. Henry stories were much more playful. His stories are also well known for witty narration. Most of O. Henry's stories are set in his own time, the early years of the 20th century. Many take place in New York City and deal for the most part with ordinary people: clerks, policemen, waitresses.
概括一下
欧 亨利的短篇小说通常以他的欧式惊奇风格结尾，它们也被称作欧亨利式结局。他的语言风格诙谐幽默，小说讲述的故事通常都发生在二十世纪早期的纽约，关于平凡人：职员，警察，或者是侍者。

O. Henry's work is wide-ranging, and his characters can be found roaming the cattle-lands of Texas, exploring the art of the "gentle grafter," or investigating the tensions of class and wealth in turn-of-the-century New York. O. Henry had an inimitable hand for isolating some element of society and describing it with an incredible economy and grace of language. Some of his best and least-known work resides in the collection Cabbages and Kings, a series of stories which each explore some indivial aspect of life in a paralytically sleepy Central American town while each advancing some aspect of the larger plot and relating back one to another in a complex structure which slowly explicates its own background. O.Henry's work is fundamentally a proct of his time, and contains examples of casual racism
这是扩展，我就不译了。。。

E. 狄更斯写作风格英文

这是关于狄更斯《匹克维克外传》的风格：《Pickwick Papers》was exposed to the darkness of the United Kingdom in real life, critical of the British parliamentary system, legal, judicial, prison, so as to easily describe humorous style gentleman, pullers and other figures, to promote the implementation of the ideal of moral ecation. The novel in structure rather loosely, and excessively bureaucratic, but it is the use of civilians as the main character is unprecedented. It is realism Dickens novels first results.

这是他整体的写作风格：Dickens is a 19th century British literary realism key representatives. Art to fun humor, nuanced psychological analysis, as well as realism, romanticism describe the atmosphere and the organic integration of the said. Marxism and the Sacre, such as his reputation as Britain's "group of distinguished novelist."

F. “写作风格” 英语翻译

the style of writting

G. 英语作文写作风格有哪些

845480066，软文写作没有一定的知识功底是写不出来好文章的，我是找他写的，最前面就是扣维来的。

H. 美国作家海明威的写作风格 最好英文

美国 “迷惘一代” 的著名代表人,硬汉风格

I. Jane Austen的写作风格（英文）

Jane Austen (1775-1817)

English writer, who first gave the novel its modern character through the treatment of everyday life. Although Austen was widely read in her lifetime, she published her works anonymously. The most urgent preoccupation of her bright, young heroines is courtship and finally marriage. Austen herself never married. Her best-known books include PRIDE AND PREJUDICE (1813) and EMMA (1816). Virginia Woolf called Austen "the most perfect artist among women."

"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." (from Pride and Prejudice, 1813)
Jane Austen was born in Steventon, Hampshire, where her father, Rev. George Austen, was a rector. She was the second daughter and seventh child in a family of eight. The Austens did not lose a single one of their children. Cassandra Leigh, Jane's mother, fed her infants at the breast a few months, and then sent them to a wet nurse in a nearby village to be looked after for another year or longer.

The first 25 years of her life Jane spent in Hampshire. On her father's unexpected retirement, the family sold off everything, including Jane's piano, and moved to Bath. Jane, aged twenty-five, and Cassandra, her elder sister, aged twenty-eight, were considered by contemporary standards confirmed old maid, and followed their parents.

Jane Austen was mostly tutored at home, and irregularly at school, but she received a broader ecation than many women of her time. She started to write for family amusement as a child. Her parents were avid readers; Austen's own favorite poet was Cowper. Her earliest-known writings date from about 1787. Very shy about her writing, she wrote on small pieces of paper that she slipped under the desk plotter if anyone came into the room. In her letters she observed the daily life of her family and friends in an intimate and gossipy manner: "James danced with Alethea, and cut up the turkey last night with great perseverance. You say nothing of the silk stockings; I flatter myself, therefore, that Charles has not purchased any, as I cannot very well afford to pay for them; all my money is spent in buying white gloves and pink persian." (Austen in a letter to her sister Cassandra in 1796)

Austen's father supported his daughter's writing aspirations and tried to help her get a publisher. After his death in 1805, she lived with her sister and hypochondriac mother in Southampton and moved in 1809 to a large cottage in the village of Chawton. Austen never married, but her social life was active and she had suitors and romantic dreams. James Edward Austen-Leigh, her nephew, wanted to create another kind of legend around her and claimed that "of events her life was singularly barren: few changes and no great crises ever broke the smooth current of its course... There was in her nothing eccentric or angular; no ruggedness of temper; no singularity of manner..." Austen's sister Cassandra also never married. One of her brothers became a clergyman, two served in the navy, one was mentally retarded. He was taken care of a local family.

Austen was well connected with the middling-rich landed gentry that she portrayed in her novels. In Chawton she started to write her major works, among them SENSE AND SENSIBILITY, the story of the impoverished Dashwood sisters, Marianne and Elinor, who try to find proper husbands to secure their social position. The novel was written in 1797 as the revision of a sketch called Elinor and Marianne, composed when the author was 20. According to some sources, an earlier version of the work was written in the form of a novel in letters, and read aloud to the family as early as 1795.

Austen's heroines are determined to marry wisely and well, but romantic Marianne of Sense and Sensibility is a character, who feels intensely about everything and loses her heart to an irresponsible secer. "I could not be happy with a man whose taste did not in every point coincide with my own. He must enter into all my feelings; the same with books, the same music must charm us both." Reasonable Elinor falls in love with a gentleman already engaged. '"I have frequently detected myself in such kind of mistakes," said Elinor, "in a total misapprehension of character in some point or another: fancying people so much more gay or grave, or ingenious or stupid than they really are, and I can hardly tell why or in what the deception originated. Sometimes one is guided by what they say of themselves, and very frequently by what other people say of them, without giving oneself time to deliberate and judge."' When Marianne likes to read and express her feelings, Elinor prefers to draw and design and be silent of his desires. They are the daughters of Henry Dashwood, whose son, John, from a former marriage. After his death, John inherits the Norland estate in Sussex, where the sisters live. John's wife, the greedy and selfish Fanny, insists that they move to Norland. The impoverished widow and and her daughters move to Barton Cottage in Devonshire. There Marianne is surrounded by a devious heartbreaker Willoughby, who has already loved another woman. Elinor becomes interested in Edward Ferrars, who is proud and ignorant. Colonel Brandon, an older gentleman, doesn't attract Marianne. She is finally rejected by Willoughby. "Marianne Dashwood was born to an extraordinary fate. She was born to discover the falsehood of her own opinions, and to counteract, by her conct, her most favorite maxims."

In all of Austen's novels her heroines are ultimately married. Pride and Prejudice described the clash between Elisabeth Bennet, the daughter of a country gentleman and an intelligent young woman, and Fitzwilliam Darcy, a rich aristocratic landowner. Their relationship starts from dislike, but Darcy becomes intrigued by her mind and spirit. At last they fall in love and are happily united. Austen had completed the early version of the story in 1797 under the title "First Impressions". The book went to three printings ring Austen's lifetime. In 1998 appeared a sequel to the novel, entitled Desire and Duty, written by Teddy F. Bader, et al. It followed the ideas Jane Austen told her family.

Emma was written in comic tone. Austen begun the novel in January 1814 and completed it in March of the next year. The book was published in three volumes. It told the story of Emma Woodhouse, who finds her destiny in marriage. Emma is a wealthy, pretty, self-satisfied young woman. She is left alone with her hypochondriac father. Her governess, Miss Taylor, marries a neighbor, Mr. Weston. Emma has too much time and she spends it choosing proper partners for her friends and neighbors - blind to her own feelings. She makes a protéée of Harriet Smith, an illegitimate girl of no social status and tries to manipulate a marriage between Harriet and Mr. Elton, a young clergyman, who has set his sight on Emma. Emma has feelings about Mr. Weston's son. When Harriet becomes interested in George Knightley, a neighboring squire who has been her friend, Emma starts to understand her own limitations. He has been her moral adviser, and secretly loves her. Finally Emma finds her destiny in marriage with him. Harriet, who is left to decide for herself, marries Robert Martin, a young farmer.

Austen focused on middle-class provincial life with humor and understanding. She depicted minor landed gentry, country clergymen and their families, in which marriage mainly determined women's social status. Most important for her were those little matters, as Emma says, "on which the daily happiness of private life depends." Although Austen restricted to family matters, and she passed the historical events of the Napoleonic wars, her wit and observant narrative touch has been inexhaustible delight to readers. Of her six great novels, four were published anonymously ring her lifetime. Austen also had troubles with her publisher, who wanted to make alterations to her love scenes in Pride and Prejudice. In 1811 he wrote to Thomas Egerton: "You say the book is indecent. You say I am immodest. But Sir in the depiction of love, modesty is the fullness of truth; and decency frankness; and so I must also be frank with you, and ask that you remove my name from the title page in all future printings; 'A lady' will do well enough." At her death on July 18, 1817 in Winchester, at the age of forty-one, Austen was writing the unfinished SANDITON. She managed to write twelve chapters before stopping in March 18, e to her poor health.

Austen was buried in Winchester Cathedral, near the centre of the north aisle. "It is a satisfaction to me to think that [she is] to lie in a Building she admired so much," Austen's sister Cassandra wrote later. Cassandra destroyed many of her sister's letters; one hundred sixty survived but none written earlier than her tentieth birthday.

Austen's brother Henry made her authorship public after her death. Emma had been reviewed favorably by Sir Walter Scott, who wrote in his journal of March 14, 1826: "[Miss Austen] had a talent for describing the involvements and feelings and characters of ordinary life which is to me the most wonderful I have ever met with. The Big Bow-Wow strain I can do myself like any now going; but the exquisite touch, which renders ordinary commonplace things and characters interesting, from the truth of the description and the sentiment, is denied to me." Charlotte Brontë and E.B. Browning found her limited, and Elizabeth Hardwick said: "I don't think her superb intelligence brought her happiness." It was not until the publication of J.E. Austen-Leigh's Memoir in 1870 that a Jane Austen cult began to develop. Austen's unfinished Sanditon was published in 1925.

For further reading: Memoirs by J.E. Austen-Leigh (1870); Jane Austen and Her World by Mary Lascelles (1939); Jane Austen and Her Art by M. Lascalles (1941); Jane Austen by R.W. Chapman (1948); The Novels of Jane Austen by Robert Liddell (1963); The Language of Jane Austen by N. Page (1972); The Double Life of Jane Austen by Jane Hodge (1972); The Critical Heritage, ed. by B. Southam (1987); Jane Austen by Claudia L. Johnson (1990); Erotic Faith by Robert M. Polhemus (1990); Jane Austen's Novels by Roger Gard (1992); The Cambridge Companion to Jane Austen, ed. by Edward Copeland, Juliet McMaster (1997); Jane Austen, Obstinate Heart by Valerie Grosvenor Myer (1997); Jane Austen: Her Life by Park Honan (1997); Jane Austen: A Life by David Nokes (1998); Jane Austen: A Life by Claire Tomalin (1998); A History of Jane Austen's Family by George Holbert Tucker (1998); Critical Essays of Jane Austen, ed. by Laura Mooneyham (1998); Jane Austen by Deirdre Le Faye (1998); The Author's Inheritance: Henry Fielding, Jane Austen, and the Establishment of the Novel by Jo Alyson Parker (1998); Pride & Promiscuity: The Lost Sex Scenes of Jane Austen by Arielle Eckstut, Dennis Ashton (2001); Jane Austen by Carol Shields (2001) - See also: J.F. Cooper - Museum: Jane Austen's House, Chawton, Alton, GU34 ISD. - Austen wrote Mansfield Park, Emma, and Persuasion while living in this house.